The Independent has just launched ‘i’, its new daily newspaper “designed for people with busy, modern lives”. But what exactly is it for?
Editor-in-chief Simon Kelner claims that the 20p title is “the first quality daily paper to be launched in Britain for 25 years”
I have to say that the results are however a little confusing, from these photographs the layout has a lot happening and there doesn’t seem to be too much white space. There are splashes of colour sections, making the days of black and white long gone. There are many boxes of text and tabs everywhere and looks more suited to the web. Every though the internet is at its peak do we want that in our newspapers?
The point of the newspaper is that it can be consumed in a small amount of time. The News Matrix (above) provides 15 stories over a spread, each with only a mere 40-wordparagaph.
This new design isn’t surprising given that the owner of The Independent Alexander Lebedev, famously turned The Evening Standard into a giveaway.
The most successful sections are the ones devoid of advertising. A Health spread gives the impression that there’s a more in-depth feature to be read.
Creative Review believes that this new reading experience is to fit in with the pace of contemporary life and the moment just adds confusion. I have to disagree with this; to me it doesn’t seem easy to follow. I want to look at a spread and know what the main headlines are immediately and not have to take time to read each section to find what I’m looking for.
I know that it is difficult to get everything perfect straight away but I feel to create a user friendly newspaper it still needs a lot of work. This is just my opinion and I’d be interested to know what you think?
This was my 3000 word essay for the year, for the essay we were allowed to choose any topic that related to our course in any way. I have a love for print and typography and everything to do with it, so I decided to head back to where print began and explore the letterpress. I didn’t want to do a history lesson in my essay because it’s been done, so through hours of research I decided that there was an increase in the use of the letterpress and more and more young designers were going back to the roots of typography and where it all began, this was the beginning of my essay and my title ‘Unearthing the Forgotten: The rebirth of the letterpress.’
I really enjoyed writing this essay even through it took 10 drafts before I was happy. I learnt a lot about were type began and just how far we have come from then, it is remarkable when you realise to print a book every individual letter would of had to be hand set and there was no way to speed this up they had to be placed one by one. How time consuming was that? However how must it have felt to see your book in print – this is real skill!
Not only did I get to write the essay I got to design it. When I set out I never thought that it would end up a 40 page document for 3000 words, but for the design that I chose this was how many pages I needed. We could use any format for the essay and I aimed to make mine really simple and classic. I felt that this suited the topic best. Here some photos of my essay and the layout that I applied.
We are set to have a brand new redesigned Creative Review from April. The redesign has come about as part of the celebration of its 30 year in existence. I have to say I really liked the old design so it’s going to take something extra special to win me over to accepting this change. The new design has a new logo (above) which, on first impressions, I’m not too sure about. In my opinion the original was much better. There’s also a new format to the magazine which now compresses a 4 column grid. New typography and paper has also been employed. There were two reasons for the redesign 1. To create a better physical product. 2. To get across the repositioning of their editorial stance that has developed over the last couple of years.
They have made the magazine smaller 250mm square, which meant they save money on the postage, with consideration they decided to put this money towards better quality paper. The inside comprised 90gsm text paper whereas it is now 135gsm, with the Crit pages on 115gsm uncoated. Inside of 250gsm cover, its now 300gsm. They said that it can only really be appreciated when you get it in your hands. I can’t wait to see this new look design and after that I’ll make my decision about what I truly think!
This is the catalogue that accompanies artist Kamil Kuskowski’s exhibition, The Truth of Painting, which ran earlier in the year at the Piekary Gallery in Poznan, Poland. Seven different stocks, coated and coloured, were utilised to accentuate several techniques used by the artist within his work. There are four chapters in the catalogue, each with its own distinct colour and paper stock. The aim was to allude to the techniques and bold colours used by the artist but at the same time keep it simple and uncluttered, which is in keeping with the artists work.
This is a lovely piece, I particularly like the layouts that have been employed and designed with the arrangement of the typography. All aspects brought together have produced a very successful final piece.